The Sony hacking scandal has proven to be a massive headache for a company that’s already been having a rough few years. And now, this increasingly weird story has taken an even darker turn: the hackers are threatening to launch terrorist attacks against theaters showing ‘The Interview’ this Christmas. Seriously.
As major movie productions keep on getting more secretive, even the best laid plans keep on getting foiled by one thing: merchandising. Yes, hide you costumes and characters and plot points all you want, because when the toys arrive, all bets are off! The latest casualty in this very silly war is Iron Man’s new armor (the Mark XLIII), which was supposedly going to make its debut at some point in ‘Avengers 2’ but can now be clearly seen, examined, and salivated over in toy form.
Sometimes, a film can effortlessly open at number one at the box office while still being a pretty huge disaster. This is the case with ‘Exodus: Gods and Kings,’ which rode a wave of terrible reviews and an even more terrible marketing campaign to a hugely disappointing start. With a lot of big movies opening the next two weeks, the new Biblical epic won’t even find time to grow some legs. Chances are strong that it is dead on arrival.
Honestly, we could have just copied and pasted last weekend’s box office report and gotten away with it. Outside of the shifting numbers, the order of the top 10 is almost identical to what it was a week ago. This is Hollywood in a holding pattern. The weekend after Thanksgiving is a wasteland. That’s probably why ‘The Pyramid’ was dumped this weekend. However, the lone newcomer in the top 10 didn’t just bomb, it bombed spectacularly.
Ever since it was first revealed that director Gareth Edwards and screenwriter Gary Whitta were teaming up to make the first official ‘Star Wars’ spin-off movie, the internet has been ablaze with theories concerning what this thing could possibly be about. Now, an unconfirmed report from a reliable source claims to have discovered the plot of the 2016 film and if it’s true, fans of the saga are in for a real treat.
There‘s going to be a lot of blood and ink spilled across the internet on the subject of the opening weekend for ‘The Hunger Games: Mockingjay - Part 1.’ Yes, the third film in the series did open significantly lower than its predecessors. Yes, there are definitely people at Lionsgate wringing their hands and trying to figure out why the film opened below expectations. And yet, that opening weekend is still massive. It’s three day total is larger than most movies ever have a chance to make in their entire runs. So, let's have some perspective as we dive into this week’s top 10.
A sequel to 1994’s ‘Dumb and Dumber’ seemed like a silly idea until ‘Dumb and Dumber To’ went and made $36 million in its opening weekend. Now, the sky is the limit for the aging idiots played by Jim Carrey and Jeff Daniels and the thought of a third film (‘Dumb and Dumberer’ is not official canon) doesn’t seem all that crazy. In fact, the new film is already waaay ahead of you. If you stuck around through the end credits of ‘Dumb and Dumber To,’ you already know that the post-credits scene teases a theoretical third entry in the series.
‘Dumb and Dumber To’ arrives two decades after the first film was one of the bigger hits of 1994 and no one knew what to make of it ... until it topped the box office this weekend and made it look easy. Now, the idea of two middle-aged actors returning to two of the most idiotic characters in modern movie history doesn't seem so desperate and crazy. It seems canny.
The showdown between 'Interstellar' and 'Big Hero 6' has got to be one of the most interesting things to happen to the box office in 2014. After all, it would be tough to find two movies that are simultaneously so different and so alike. Both are pro-science adventures that are all about using your intelligence to save your friends and family. However, one is an animated, family friendly release from Disney and the other is a three-hour epic from the ever-serious Christopher Nolan. In other words, they represent opposite ends of the blockbuster spectrum.
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